Shaowen Bardzell (my illustrious collaborator and spouse) and I recently wrote an article entitled, “Intimate Interactions: Online Representation and Software of the Self,” which has just been published in Interactions magazine. In it, we argue that online representations do not always represent our offline selves, and it is a mistake to think they should always…
Read more “Intimate Interactions” Article Published
Here are some juicy quotes by French New Wave filmmaker and critic Godard on the relationship between criticism and filmmaking. As a critic, I already thought of myself as a filmmaker. Today [1962, after he started directing films] I still consider myself a critic, and in a sense, I’m even more of one than before.…
Read more Criticism = Design = Criticism
A recent trip to California left me inside of airplanes long enough to watch Godard‘s 1960 film Breathless. This film was enormously influential for its in-your-face style, which flaunted the “rules” of editing and made Godard an overnight sensation. One often hears of film editing as an invisible art, that is, when done well, you…
Read more Godard’s “Breathless”: Design with Attitude
Readings: Going Off on Your Own Continued from Part 6 of the Interaction Criticism series, which starts here. Acknowledgment: Many of the ideas and readings cited throughout this series and particularly in this post reflect the research and contributions of my colleague and spouse, Shaowen Bardzell. I certainly have enjoyed composing this series of posts,…
Read more Interaction Criticism: How to Do It, Part 7
I realized tonight, on a walk with my spouse, that much of what I am doing this summer is documenting the epistemology of criticism. In other words, I am trying to render explicit the ways that critics come to know whatever it is that they come to know, and to compare that with how social…
Read more Epistemology of Criticism