I was reading a book on film theory, French Cinema: A Student’s Guide (Powrie & Reader, Oxford University Press, 2002; currently out of print in the USA), and I found a chapter that I really wish I had assigned to this class (there is always next fall, right?). The chapter contains a very handy description…
I’d like to thank all members of the class for participating in this blog during our class. As I mentioned, I intend to keep it alive going into the new year, and you are welcome to continue contributing (and I hope people will!). I wanted to close with a few random notes and announcements. I…
Mingxian posted an excellent question late last week about the problem of intention. If we look at camera angles in Bleu or La Strada, and we perceive that they relate fortuitously to narrative themes (etc.), and we attribute that coherence to the “director’s intention,” are we leaving structuralism/semiotics and heading back to phenomenology? My answer…
Read more Structuralist versus Phenomenological Notions of “Intention”
One thing you will find in abundance are libraries of interactions, often called widgets. Richie Hazlewood posted this link to the HCI distribution list earlier today, but it’s not the only one. The “components” that ship with Flash are another set, and information architect folks (e.g., Garrett) likewise have a standardized collection of interaction diagrams.…
G. Smith concludes her Forward to Designing Interactions by saying that interaction design as a field has solved one set of problems, and it now needs to move onto a new set. However, after twenty years of drawing on existing expressive languages [e.g., film, typography, icons], we now need to develop an independent language of…
Interaction Culture 