I know that today we were trying to find the code how to interpret those movies. We were talking about one detail give us clues about what would happen later, and the camera positions tell us blablabla. However, David mentioned that the director forced us to see the focuses and the next screen, we have no choice as an audience. Then I found I was trying to guess the directors intentions about why they put some certain background things into the stage, and how the directors put those clothes onto the actors’ body in order to express the roles’ personality. My question is that do I come back to phenomenology from structuralism when I tried to guess and explain the directors’ intentions? Or I am using the structuralism method as far as I still decompose the movie into cloth, camera position and other aspects.